片名:《受傷的天使》

類型:劇情片

上映時間:2016

上映地區(qū):其它

導演:埃米爾·拜加津

主演:Nurlybek,Saktaganov,Madiyar,Aripbay,Madiyar,Nazarov,Omar,Adilov,Anzara,Barlykova

集數(shù): 更新至1集

語言:其它

【同輝影院】分享劇情片受傷的天使全集在線免費觀看高清720P播放地址，受傷的天使講述了一個普通而不平凡的故事，由受傷的天使的演員Nurlybek,Saktaganov,Madiyar,Aripbay,Madiyar,Nazarov,Omar,Adilov,Anzara,Barlykova實力演繹，不管是微表情還是表演動作上，把角色都塑造得非常成功，每個角色都有自己鮮明的個性，讓觀眾們能夠更好地融入到劇情之中。受傷的天使是2016年上映，非常好看的電影。

《受傷的天使》觀后點評：電影受傷的天使真是太好看了！受傷的天使劇情緊湊扣人心弦，每一個轉折都讓人捧腹大笑，同時又讓人熱淚盈眶；受傷的天使的音樂選材旋律優(yōu)美，不僅完美地融入到劇情當中，還增加了劇情片受傷的天使的劇情氛圍，絕對值得一看。

《受傷的天使》抖音網(wǎng)友點評：受傷的天使的臺詞設計非常精彩，讓觀眾印象深刻；受傷的天使的演員Nurlybek,Saktaganov,Madiyar,Aripbay,Madiyar,Nazarov,Omar,Adilov,Anzara,Barlykova個個演技精湛，從對劇情的精準把握到表情和動作的發(fā)揮上，都契合了受傷的天使的故事主題，既滿足了觀眾們對于劇情的期待，又給人留下了思考的空間。是2016年值得一看的電影。

受傷的天使講述了：電影講述了上世紀九十年代的哈薩克小鎮(zhèn)，四個少年各自的生命之路。扎哈拉斯正在備受父親的煎熬，后者因曾是一個詐騙犯而找不到工作，為了幫助父親，他不得不在玉米加工廠打工。巴拉潘有一把好嗓子，能夠將“萬福瑪麗亞”唱的娓娓動聽，然而校園生活教會他的是使用自己的拳頭而不是聲音。扎哈巴則在流浪在村子里的垃圾堆中，尋找可以賣的廢金屬，他與其他三名同齡離家出走的男孩子睡在廢棄的隧道中。阿斯蘭正在為醫(yī)藥學努力，然而當他說服自己的女朋友墮胎之后，他的人格發(fā)生了徹底的改變。　　A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016